Zoë Heyninck

Zoë Heyninck

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Thanks to her joie de vivre, she quickly gets along well with her new roommates Ollie, Kas and Jackie. Although the three appear to live next to each other rather than with each other. They are each in their own world, with their own sexual and emotional struggles. Future sexologist Nina sees it as her mission to change that and create a close-knit group of self-confident, free-spirited individuals. Will Nina succeed and bring the group of friends together like a match made in heaven? And does she hold the key to transforming the student room into a place where everyone can be themselves?
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DRIFT is a refreshing series about a 20-something group of friends in BXL, each of whom gets lost in their urges for love, sex and adventure. The story begins when Luna and Lode decide to open their monogamous relationship. Luna hopes to bring more tension and passion into their drowsy sex life. But soon Luna's drive and urge spreads through the group of friends. During the season, the five friends fully explore their lusts, until they reach a point of no return. Because what do they do when all that drive and urge also involves deception?​​​​​​​
Zoe Heyes

Zoe Heyes

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Beyond Bedlam 1994 (4.6)

An experiment gone awry places a neurologist and a homicide detective in a psychopath's nightmarish world.
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This Is My Life 1992 (5.889)

Single mom Dottie Ingels sells cosmetics in a department store, but she dreams of being a comedian. When she inherits some money, she takes the chance and moves with her two children Erica and Opel to New York to perform in small bars. Soon her agent Arnold Moss makes her famous, but while she travels all over USA, her children stay home lonely.
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Dolly Rawlins is free again. She has served the eight year prison sentence for her husband's murder and is now set to collect the six million pounds worth of diamonds that she stashed before she was sent down. The money will enable her to follow her dreams and start a new life. But her former cell mates have their own ideas...
Zoë Heyn-Jones

Zoë Heyn-Jones

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Soy un ser cuyas raíces // I am a being whose roots 2018

Soy un ser cuyas raíces // I am a being whose roots reworks Jacques Madvo’s Countries & People: Venezuela to explore labour and migration. Taking the final words of the film’s voice-over as a starting point, Soy un ser cuyas raíces // I am a being whose roots pairs Madvo’s film footage with a text-based conversation with young Venezuelan literature scholar and language teacher Angel Said Dominguez Pinto. Dominguez Pinto relocated to Panama in 2014 to make a living teaching English, Spanish and German in Panama City after Venezuela’s economic collapse. Over e-mail, we co-authored a conversational text, exploring migration, labour, exile, and hemispheric relationships.
zoe heyes

zoe heyes

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Seahouses 1991

The rugged beauty of the Northumbrian coastline is the setting for this sharply-written short film about lust, revenge and inflatable sumo wrestlers. While walking along Hadrian's Wall, wounded traveller Sian hitches a lift from two men from the circus. She agrees to join their act but still seeks vengeance on her nemesis in nearby Seahouses. England's North East is bleak yet romantic in Ian Dodd's wonderfully dark comedy-drama.
Zoe Hey

Zoe Hey

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SOH10 the Opera 2003

The opera begins at the end. The woman has just experienced a terrible accident, a crash of both the computer and her brain to which the computer is connected. The first two parts take us through the reconstruction of her story, the use of her body, speech, memory and the data banks and central brain of the computer. She shares genetic, organic material with the computer as the computer replaces parts of her body with its cybernetic material. The relationship is unclear to both of them. Where reality exists is in a floating multi-layered network of hallucinations, fractured memories and her externalized inner life viewed on the computers screens, the film itself. She is physically present, witnessing and participating in the story on the stage, the computer, consisting of screens, sounds, musical icons and a glass central unit on which the woman performs her rituals of reconstruction. The story unfolds to her and to us simultaneously in a quest to understand what caused the accident...