Movie Cosmos - LookupActor

Actor Zack Khalil

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The Violence of a Civilization without Secrets 2018 ( 6)

An urgent reflection on indigenous sovereignty, the undead violence of museum archives, and postmortem justice through the case of the "Kennewick Man," a prehistoric Paleo-American man whose remains were found in Kennewick, Washington, in 1996.

INAATE/SE/ 2016 ( 4.5)

INAATE/SE/ re-imagines an ancient Ojibway story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ transcends linear colonized history to explore how the prophecy resonates through the generations in their indigenous community within Michigan’s Upper Peninsula. With acute geographic specificity, and grand historical scope, the film fixes its lens between the sacred and the profane to pry open the construction of contemporary indigenous identity.

Culture Capture: Crimes Against Reality 2020

Culture Capture: Crimes Against Reality morphs monuments into metastasizing flesh via ritualized photogrammetric capture and virtual manipulation, clearing space for Indigenous futures. The piece literalizes the violence of settler-colonial propaganda and features high-profile monuments such as the equestrian Theodore Roosevelt statue which stood in front of AMNH in New York City and End of the Trail, both created by American sculptor James Earle Frasier. The video mines the archive of Frasier, going beyond simple iconoclasm to probe deeper, investigating desires for indigeneity that motivated the artist, desires that continue to pervade the myths, dreams, and political foundations of the so-called americas.

Actor Zack Khalil

Popularity:

From: N/A

Biography:

Most Known for...

The Tuba Thieves 2024 ( 8)

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

Lunar New Year 2022

& so Lunar New Year is a durational effort, a sequence of 4 digital, 13 analog vertically oriented portraits, all made handheld with found and available light, presented in order of exposures taken. The series (swallows hard, accepts its truth) is a record in collaboration with those that allowed me to be in space with them, creating quiet encounters in the polyphonic city. Not all is pictured, not all are pictured, just what & who was made available through any number of very specific & amorphous conditions & agreements on this day. A study of the transformative power of light moving through space, & a sincere awe in the ability to render that still, & (as the Meshell Ndegeocello song says) yet it moves, offering the cinema of the everyday, offering description as narrative, operating in the multisensory—text, image, voice, my primary mediums, previously presented in the book, now in cinema, still the book: all efforts in dedicated sequencing.