Zachary Epcar is a filmmaker whose work has screened at the New York Film Festival, Toronto International Film Festival, International Film Festival Rotterdam, Museum of Contemporary Art Chicago, Pacific Film Archive and elsewhere.
In Zachary Epcar's fragmentary, soap opera-esque film, lounge music, lamps, coffee pods, and other accoutrements of modern life restage a story of domestic dreams and nightmares.
A constellation of objects, each emerging into the soft peach-light void of an indeterminate condominium space.
The canyon is more of a state of mind than a place, really. The architecture here is the architecture of dreams. The infrastructure, an infrastructure of desiring flows. The canyon is community. It is one single resonant tone moving through all bodies at all times.
