Diversity trainer Lee Mun Wah assembles a diverse group of eight American men to talk about their experience of race relations in the United States. The exchange is sometimes dramatic as they lay bare the pain that racism in the US has caused them.
In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.
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Lupika, an alien princess, is in love with a tofu seller. To make him love her too (at least, announce his love. He obviously fears the social taboo of a tofu vendor marrying a princess), she needs to get a love potion, which is in a certain temple. Legend has it that the only person that can obtain this love potion is the most lecherous man in the universe. That man turns out to be Ataru Moroboshi. Lupika kidnaps Ataru to make him get the potion, and Lum and her friends go out to search for Ataru.
If all pictures became current, in that they pass by and in doing so, are connectable with one another, whether elegantly or obscenely, through translation or association—how would it be possible to fasten down a picture? Hito Steyerl’s light-hearted picture translations are about fastening things in an elegant-obscene way: In Tokyo she is looking for a photo series that she posed for in 1987 as a “rope bondage” model. While making inquiries with experts and authorities in the bondage arts (which are mainly marketed online nowadays), she found what she was looking for in a magazine archive. The cinematic tension is extremely high just now says the translator while Steyerl looks through photos of herself from her days as a film student.
