They have been abandoned in a world adorned with concepts such as family, friendship, love, and opportunities. In search of answers to their questions, they devour themselves like a chemical substance that corrodes the world around, in order to eventually learn not to listen but to hear, not to look but to see. And to find their way.
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In an ideal world of the near future, an exemplary hero commits an act that threatens to ruin his life. Having become an outcast, he must make a decisive choice between two women. Between family and long lost love. Between familiar well-being and an unknown, dangerous future.
The wayward stove—maker Agnia does not spoil life - she lives in the Far North in an emergency poorly heated house, fishes in an ice hole and raises her son alone. Seasonal work makes it impossible to save up for new housing, and the local head of administration, Boris, is in no hurry to resettle people. Agreeing to Boris's proposal to lay out a stove in his hut, Agnia gradually falls in love with him, but eventually uses him to achieve her main goal — to move to a new apartment. And he does it in a very unusual way.
The events in this Altai epic take place in the 19th century. It is a story about greed and desire for revenge which can ruin the life of a person as well as entire families and generations. A common lad Tokna is in love with beautiful Kymyskai. But a well-to-do 40-year-old bachelor Kutus has set his eyes on her. Relying on his standing and traditions he kidnaps the girl. Naturally, she does not want to live with him and one day runs away to Tokna. The lovers hide in the mountains. After some time Kymyskai, who harbors a grudge against them, finds Tokna and Kykuskai and starts taking revenge. He kills the cow, family’s breadwinner. In response Tokna and his nephew eliminate half of the Kutus family sheep. Thus hostility turns into hatred and misunderstanding develops into a war of extermination.
