This film by French-Moroccan artist Yto Barrada observes the elaborate fossil industry in Morocco. Paying homage to the 'preparators' in the arid region between the Atlas Mountains and the Sahara Desert, whose intrepid work is fueling a thriving trade in artifacts real, faux and hybrid, False Start is a rebuke to the fetishistic thirst for foreign objects, a sly meditation on authenticity, and a paean to creativity.
Barrada digs into her family history and narrates 16 myths based on unreliable narrators and unverifiable stories, illustrated with strangers’ home movies found at flea markets and archival films from the last half-century in Morocco.
In 2003, Barrada presented a table-sized automated model Gran Royal Turismo based on a road racing set. A convoy of three black Mercedes emerges from a tunnel and just before they arrive at the town, palm trees push out of the ground, the sidewalks and walls flip over to reveal clean freshly painted surfaces, flags blossom along the route. It seems to be like a Potemkin Village display – perhaps for the benefit of a visiting head of state.
