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Three young musicians and three female singers strive for success, competing each other. But love gets in their way.
A struggling trio of artists has a chance encounter with a sad industrialist, and decide to undertake three challenging tasks to make him happy. Each day is a new one. So, good morning, Athens, and good morning new life. Will they succeed?
Thanasis Kourtis came from the countryside to Athens to find his friend, the well-known impresario Giorgos Oikonomidis. Oikonomidis cannot find him a job, but suggests that he open an agency to seek out new talent. Thanasis follows his advice, and one of his first clients is Kostas, the son of industrialist Lyridis, who wants to become an actor. Eleni, who wants to help him and win him over, becomes Thanasis' secretary.
Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.
