On the outskirts of the provincial town, Yevdokim and Yevdokiya live, raising foster children. Yevdokim works at a factory, Yevdokiya is a housewife. The family seems to be safe and happy: the only trouble is that Yevdokiya cannot forget the love of her youth. This Yevdokim cannot stand and offers Yevdokiya freedom, while he will remain with the children. But all these contradictions are drowned in mutual love for children and for each other.
In the focus of the film is the fate of Varvara Basova, whose painfully soulless, philistine-gray existence, devoid of ideals and moral content. Relevant today, the picture sounds like a verdict to all who are mired in vulgarity, who have exchanged life for petty pleasures, profit, empty philosophizing.
