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Man Yeung

Man Yeung

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Dance of a Dream 2001 (6.2)

Namson Lau is a ballroom dancing instructor. On stage, he is a refined and suave gentleman, but in reality, he is cunning and greedy, and dancing has become a mean to strike fortune for him, without any other levels of significance.


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N/A N/A (8.3)

The Heavenly Sword and Dragon Saber is a Hong Kong television series adapted from Louis Cha's novel of the same title. The series was first broadcast on TVB Jade in Hong Kong in 2000.


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A Game Of No Rule 2000 (8)

A suspended alcoholic cop and a small-time street gang get mixed up with a powerful religious cult and vengeful cops.


Chan Wan

Chan Wan

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Bunny Girl 1967

Hong Kong movie


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The King Fa Fairy 1970

A Chinese fantasy drama


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Colorful Youth 1966

In 1966, Connie Chan Po-chu and Josephine Siao Fong-fong starred in multiple contemporary films, cementing their onscreen persona as virtuous young women while becoming the hottest youth idols of their time. Colourful Youth remains the only contemporary film to feature both of them. Filmed in Eastmancolor, the song-and-dance spectacle keeps its fingers on the pulse of its era and presents the vigour of the modern times.


Yeung Ching-Man

Yeung Ching-Man

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Twilight of the Warriors: Walled In 2024 (7)

In 1980s Hong Kong, troubled youth Chan Lok-kwun, a mainland refugee, struggles to survive in the Kowloon Walled City by joining underground fights. Betrayed by crime boss Mr. Big while trying to buy a fake ID, he steals drugs from him and seeks refuge in the Walled City, where he encounters Cyclone, a compassionate yet authoritative crime lord.


Yeung Ching-Man

Yeung Ching-Man

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Almost Home 2017 (5)

The film is a resonant portrayal of the younger generation in the post-Umbrella Movement era. Two years ago, Ah-man (Ng Wing-sze), an independent yet stubborn university student, left home after a furious argument with her mum when the Umbrella Movement broke out. Now, she undertakes a new kind of lifestyle – a life of a vegetarian and an organic farmer. However, she never stops thinking of the taste from home. With the film's fragmentary narrative style, Ah-man’s story also reflects the ambivalent decisions between family and society of her friends.


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