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Three childhood friends from the slums of Hong Kong flee to war-time Saigon after accidentally murdering a gang leader, but their troubles only escalate.
A policeman forsakes his dream of world travel to care for a mentally impaired brother, who is later kidnapped by gangsters.
This is the story of Yan, a young woman haunted by fleeting images of what she believes to be dead people. Told that it is all in her mind by her psychologist Jim, Yan still cannot find any other explanations for her visions. Soon, her suspicions are confirmed when Jim begins seeing the same things she does and the two begin to unravel a mystery that leads to a forgotten past
The film revolve around the affection of Hieu and Mai Ngoc, their concerns, gender "boundaries" between instinct and reason, between curiosity about the age of adolescence and early vibrations. What difficulties, "temptations" will be for both, how to keep a beautiful spring love and sweet memories?
Trieu is an orphan who lives with her mother-in-law and her brother-in-law Thien. They work the family land, and also weave towels. Trieu's husband Dai returns to the village, after a four year absence, to ask Trieu for a divorce, because he has started a business in Hanoi with his girlfriend. Trieu refuses, but Dai leaves her ten pieces of gold and the divorce papers to sign. After a row with Toan, the local towel buyer, Trieu manages to sell the cloth to the distributors herself, and uses the gold to set up a weavers co-op. Trieu and Thien grow closer together, but village custom would disapprove of any relationship between the siblings-in-law, even if Trieu were divorced.
