In order to study fashion in so-desired Paris, a young country girl who hates Carnival travels to Rio de Janeiro to try to get support from the most famous designer in Brazil. Set on sneaking into the sewing team of one of the biggest samba schools, she will discover that Carnival only lasts for a week, but a love story can change her entire life.
After her marriage becomes a nightmare, the humble small town girl Clara is committed to a psychiatric hospital and prevented from seeing her son growing up. It was all a scheme by her manipulative mother-in-law, who wants to seize her lands and explore their emerald mines. Betrayed and humiliated, Clara bounces back and returns ten years later as a powerful and wealthy woman. Even thirsty for revenge and justice, she never loses her softness to win back her son's trust and maybe find a new love.
Mina (Priscila Fantin) is arrested for defrauding the Social Security and beyond to defend the other inmates need to escape from the prison director of surveillance (Tuca Andrada). The crime involved a Senator (Antonio Calloni), trying in every way to prevent your participation to surface.
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The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.
