An art film produced using 'Darwinian' evolution with artist controlled aesthetic selection. Artificial life rules define the processes of mutation, breeding, birth, growth and decay to generate an imagery evolution of a complex three dimensional structure.
William Latham was a figure that dominated computer art and animation in the UK through his use of 'evolutionary' algorithms. Working at this time in partnership with an IBM scientific research centre, Latham aimed at remodelling the entire creative process, 'mutating' the most startling yet controlled virtual sculptures that had so far been seen. This sequence was released on home video formats as well as screened at festivals.
Computer animation.
