The unexpected return of his ex-wife and the assembly of a group of protesters both threaten to wreck a corrupt contractor's inauguration party for his new superhighway.
This plodding piece of cinematic ambiguity finds a married couple engaged in boring conversation in a window as scenery changes behind them. When they manage to talk about love, some of the tedium is lifted in the wake of their amorous verbiage. This black and white effort from Jean Pierre Lefebvre depends on symbolic impressionism rather than plot.
A meditation on society's attitudes and beliefs, as explored through a New France fur trapper's relationship with a Native woman that spans centuries.
