Wakeel Ahmad

Wakeel Ahmad

N/A

N/A

Most Known for...

Movie Picture

Passengers 2016 (6.953)

A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early.
Movie Picture

Jumanji: The Next Level 2019 (6.892)

As the gang return to Jumanji to rescue one of their own, they discover that nothing is as they expect. The players will have to brave parts unknown and unexplored in order to escape the world’s most dangerous game.
Wakeel Khan

Wakeel Khan

N/A

N/A

Most Known for...

Movie Picture

In This World 2003 (6.3)

Torn straight from the headlines, Michael Winterbottom's compelling and prescient 'In This World' follows young Afghan Jamal and his older cousin Enayat as they embark on a hazardous overland trip from their refugee camp at Peshawar, north-west Pakistan. Entering Turkey on foot through a snowy, Kurdish-controlled pass, the pair again take their lives into their hands and face suffocation when they are locked in a freight container on a ship bound for Italy. From there they plan to travel on to Paris, the Sangatte refuge centre and ultimately asylum in London.
Hussain El-Wakeel

Hussain El-Wakeel

N/A

N/A

Most Known for...

Wakeel

Wakeel

N/A

Most Known for...

Movie Picture

Kar Mera Intezaar N/A

A carefree day at amusement park turns bittersweet when Ramiz reveals that he is turning down a golden opportunity for the sake of friendship, forcing Zaraar to confront his own fear of losing his anchor and learn to redefine his friendship by convincing Ramiz to move on for a better life.
Saeed al-Wakeel

Saeed al-Wakeel

N/A

N/A

Most Known for...

Movie Picture

Mapping Lessons 2020 (8)

Through the diary entries of the film's main protagonist K., we learn about her return from post-revolutionary Russia to her home in Greater Syria, in which, after the collapse of the Ottoman Empire, individual communities are trying to find a way to autonomy. Thanks to the juxtaposition with the Russian past, presented through shots from Soviet film classics such as Esfir Shub's Spain or Kinoglaz by Dziga Vertov, and the Syrian present, portrayed through various mobile phone footage, the director draws parallels between two incompatible realities and creates a multimedia essay on neo-colonialism and independence.