An experimental film with no plot. Consists mostly of static shots portraying train wagons. The word COMPOSITION in Serbian has a triple meaning here – a train composition, composition of a shot, and music composition. Regarding the third meaning, the “soundtrack” of the film is a 5 second loop that keeps repeating itself over and over again.
Following the form of a tetrahedron, the film consists of four regular segments, each covering one topic. It gained a cult status among Split kino-amateurs of older generations.
This meditation on transience, possessing a macabre and mysterious atmosphere, filled with a number of ambient motifs that are repeatedly succeeded by confounding silhouettes of human heads, is founded upon rhythmic contrasts and structural molding of film. In a brilliant sequence of images, the film evokes a sensation of leaving, abandoning.
