Soviet cinematographers created a progressively realistic image of a journey to the moon in these early days of special effects. Scientist Pavel Sedikh grows impatient with the restrictions of the conservative Soviet space institute in Moscow. Sedikh builds his own spacecraft, and accompanied by a female astronaut and a boy, he embarks on a the first human trip to the moon.
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.
A wise and forgiving communist leader decides to send a young worker, Karl Renn, as an international delegate to the Soviet Union after the worker had deserted a picket-line and had expressed doubts about the methods of class struggle in in his own country.
