Vanessa Walter

Vanessa Walter

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Chaos 2019

Whether political, sociological or social questions. In one's own life and that of others. Living, eating, loving. In art and philosophy. Everywhere man asks the question of "naturalness". How do I behave naturally? Do I have to behave naturally? What is natural? What is nature? This question occupies the most diverse people, have the most varied traits and characteristics. Man and woman as natural order or structures created by man? Meat consumption as natural predator behavior or factory farming? Nature-related living and urban planning? The topic covers all questions of human life. In this short film, this question should be discussed abstractly. Not by specific subject-relatedness, but by the juxtaposition of subjective ideas about the abstract nature of nature from the perspective of a Western white man.
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Gaze & Depiction N/A

Gaze & Depiction is a three-minute visual examination of Laura Mulvey's essay “Visual Pleasure and Narrative Cinema ”. It initially uses the Male Gaze as a conventional introduction method, which traditionally objectifies the woman, then presents it as such convention and openly tries to break it. The film shows the efforts of the character and the director to introduce the female gaze at all points of view: the characters' view within the film, the viewers' view, and the camera's/director's view.
Vanessa Walters

Vanessa Walters

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Butter on the Latch 2013 (4.889)

Sarah and Isolde share an interest in the traditional music and dance of the Balkans, but it turns out that shared interests don’t always unite them. Their trip, initially a fun bonding experience, takes a southward turn when Sarah becomes interested in handsome fellow camper Steph. A seemingly innocent romantic overture touches off an abrupt shift in the dynamic between the two girlfriends, steering a previously ecstatic camp outing down a psychological rabbit hole.
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Une Danse Des Bouffons 2013 (6)

In this Dadaist love story there are many recurring themes: death and rebirth, multiple identities and doppelgangers, false prophets, love and love lost, the corruption of power and fragility of what is real or true. Using a recreation of Marcel Duchamp's Etant Donnes, a trickster of old mythology awakens Maria Martins (played by Kim Gordon) from the dream state. She learns that her lover, a captive Marcel Duchamp, has been kidnapped by a group of terrorists and forced to recite the chess moves to a historical match. Maria must enter a deep and strange rabbit hole to save her love.