N/A N/A ( 8.5)

N/A N/A ( 7.706)

Zakhar is the head of a big family who spent all his life living in a village in a private house. He is also the only one who refused to sell the land for the construction of a new residential complex. After all, not only his right to private property but also his happy memories are under threat: the old forest he knew since he was little was cut down, and the pond where he used to fish with his father was drained. Moreover, his grandson fell in love with the developer's daughter! While life seems to fall completely apart, Zakhar, together with his family, decides to stand his ground to the very end against urban developers, dissatisfied tenants of the newly built high-rise, and total injustice.

N/A N/A ( 8.4)

Andrey is a professional negotiator. When people can't agree, he helps them to — for a lot of money. For each dispute, he changes himself beyond recognition. Andrey can convince anyone of anything, anytime and anywhere, but he seems to have a hard time accepting his own self. This twisted psychological thriller tests the limits of how far people can go to get what they want. Cruel, dark, and shockingly manipulative, Andrey proves to be extremely efficient. But is it all worth it in the end? And what is the real cost of his abilities?

Immortality and Resurrection For All! 2017 ( 6)

The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.