Vajramuni

Vajramuni

1944-05-11
61 (2006-01-05)
Kanakapalya, Bangalore India

Kanakapalya, Bangalore India

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Mayura 1975 (7.5)

Mayura challenges an arrogant wrestler and defeats him. Though never formally trained he has only learned techniques of wrestling by observing others. As a Brahmin he is required to study Vedas yet he is deeply interested in martial arts. Ranga Jetti, the premier wrestler in Kanchi, takes him under his wing and trains him. One day while observing the training of Pallava princes Mayura gets into a fight with and thrashes Vishnugopa, the Pallava prince, earning his enmity. Mayura has to flee Kanchi as per the advice of Ranga Jetti to escape from pursuing Pallavas. He also then learns that he is in fact the son of Raja Chandravarma, the Kadamba king who was deceitfully killed by the Pallava king, Sivaskandhavarma. Upon learning of his illustrious lineage, Mayura dedicates himself to overthrow the Pallava yoke. Returning to Banavasi in the guise of a merchant Mayura builds an army and conquers both Banavasi and the Telugu speaking regions around Srishaila, thus building a vast kingdom.
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Sampatthige Savaal 1974 (7)

The movie is based on the play Saahukaara written by B. P. Dhuttharagi. The film was a musical blockbuster with all the tracks composed by G. K. Venkatesh considered evergreen hits. Rajkumar became popular as a playback singer with the track Yaare Koogadali from the film which became an instant hit among the audiences. He would then go on to sing regularly for his films. The film was remade in Telugu in 1975 as Thota Ramudu starring Chalam, in Tamil in 1975 as Pudhu Vellam starring Sivakumar and in Malayalam in 1976 as Themmadi Velappan starring Prem Nazir.
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Babruvahana 1977 (7.3)

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.
vajramuni

vajramuni

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