Václav Tomšovský

Václav Tomšovský

1933-09-22
84 (2018-02-04)

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Most Known for...

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Code Name: Ruby 1996 (4.5)

This controversial feature blends documentary, archival footage and fiction into an elliptical narrative in which two young people in Prague, an ancient seat for the practice of alchemy, follow the trail for the mystical philosopher's stone. History and future blend as brilliant montage sequences and fanciful leaps of the imagination work to posit questions about the legacy of the past and how it influences the individual's personal freedom and responsibility.
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Bílá spona 1961 (6)

Criminals have their hands full: first a shoplifting, soon the murder of a young driver. Do these crimes have anything in common? But the attempt to create a suspenseful story is broken by its unimaginative nature.
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Today for the Last Time 1958 (8)

Concert master Karel Mašek is a drunk, as well as engineer Danda and other regular guests of the pub U Kroců. Mašek returns from the pub in the morning and promises the woman that he will stop drinking. But he failed again, and the orchestra players refuse to play with him. Danda returns home without a bag and goes to Krocs again in the morning, even though he has an important job at work. He has been degraded to subordinate job position, but he refused to admit it at home.
Václav Tomšovský

Václav Tomšovský

N/A

N/A

Most Known for...

Movie Picture

Princess Jasnenka and the Flying Shoemaker 1987 (6.3)

Fairy tale about young cobbler Jíra, who had fashioned wings from leather in order to rescue princess Jasnenka from the tower of the royal castle, where her father had closed her to to save her from the evil witch and her daughter Cernava.
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Helluva Good Luck 1999 (5.5)

Dora, a lazy and evil woman, is in love with her servant, Hannes. Hannes, however, loves her sister-in-law, Margareta. When Dora learns about this, she vows revenge against the couple.
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Král Ubu 1996 (7.8)

A cruel picture of the ways in which human beings acquire power and then cling to it. The story of Father Ubu, an idiot who climbs over the bodies of the dead to his royal post, is presented with a touch of the grotesque where naive comic elements meet black humor. Using a human touch, the film- makers were able to transform the original into a film aimed at a contemporary audience while remaining faithful to the vision of Father Ubu and Mother Ubu venturing everything in their efforts to seize power and mammon.