Yahşi Batı 2009 ( 6.919)

Aziz and Lemi must recover a diamond gifted by the Sultan of the Ottoman Empire to the U.S. President which has been stolen by bandits in the American wild west.

N/A N/A ( 8.8)

Kandemir is the head of a gang which conducts robberies. Their main goal is to rob fairly. What connects the members of the gang to one another is friendship. Unfortunately, everything changes after an old friend of Kandemir, Ali Rıza Kaptan’s goes to prison. Kandemir and the gang settle into an old neighborhood which seems quiet and peaceful. However, nothing is as how it seems in the neighborhood. They introduce themselves to their neighbors as the Nevizade family. Protagonists Kandemir, Ferdi, Karlos, Yaren, Bahadır and Derya have had hard times and when they gather under one roof these gang members still carry the traces of those hard times. Kandemir wishes to confront his daughter and show her that he is no longer a man of monkey business, while blood brothers Ferdi and Karlos who ran away from an orphanage still carry the misery of the streets; Yaren who came to İstanbul with the hope of being a famous singer is singing in taverns; Bahadır uses his genius for hacking computers and Derya joins the gang with her acting skills in order to save her father.

The Long Way Home 2013 ( 6.7)

Inhospitable at the best of times, the snow-covered mountainscapes of Eastern Anatolia constituted a fatal frontier for many war exiles after the battle of Sarikamish in 1915, and provides a canvas laced with beauty and threat for this bone-chilling survival yarn, the superb debut feature of Alphan Eşeli. Starting out with three characters – a refugee mother and daughter and their grizzled guide – the film traces their daunting trek across this barren terrain to safety, with the Russians encroaching and other stragglers, including a pair of wounded, frostbitten Ottoman soldiers, all orbiting the same burnt-out village they find in their path. Puncturing its aura of ghostly impasse with some shocking narrative reversals, and constantly prickling with the mutual dread of strangers in gruelling extremes, the movie stakes out hugely credible ground next to established Eastern Front war classics (In the Fog, Come and See) while remaining thoroughly its own beast. (Source: LFF programme)

Uyumak N/A