Tseng Yun-Fan

Tseng Yun-Fan

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N/A N/A (5.8)

An adaption of Taiwanese comic series, Brave Animated Series. The comic artist of this series uses black humor to elaborate social issues, and its storytelling is very into the taste of the younger generation. This program is integrated with multiple resources like TV and music production. In a world full of discrimination and hatred, stereotype is no longer what it really is. The braves believe that only when the evil is defeated, will the world comes with peace. Yet the braves realize that they are not standing on the side of justice.
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The Frog Ville 2014 (2)

Could little Heymon lead his friends escape from terrors safely? Yet, the journey for seeking the refuge must go on.
Tseng Yun-Fang

Tseng Yun-Fang

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Thanatos, Drunk 2015 (5.9)

In a crumbling house on the edge of Taipei, two brothers drift through odd jobs, messy love, and quiet yearning for a life that feels like their own.
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The Cloud in Her Room 2021 (6.3)

Muzi, 22, comes home to Hangzhou for Chinese New Year, where she plays her roles as a daughter, a half-sister, and a girlfriend. Roaming in this city that feels so familiar yet distant, Muzi searches for a place where she belongs.
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Jet Lag 2023 (5.167)

Xinyuan films in her personal essay film Jet Lag is her trip from Vienna to China. The hazmat suits on the aeroplane and the layers of tape sealing off each room in the quarantine hotel conjure up images of crime scenes or medical thrillers, although once she does gymnastics on the bed, the mood immediately shifts.
Yun Fang Tseng

Yun Fang Tseng

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water sleep II Akaike river under Xizang Road 2019

Maps are controlled by nation-states: who creates them, what they will look like, how they will be read, and how they will be shared. water sleep II Akaike river under Xizang Road (2019) is an essay film which the artist guide us to find the lost river in historical maps. Taipei/Taihoku City Planning Map with Bird’s-eye View (1935) and Taihoku Aerial Map, American Army 14th Air Force (1944) represent the colonial history of Taiwan. The process provides another reading through decolonizing gaze of maps and turns the focus toward evidence of objective portraits of the landscape.