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Tony Peers

Tony Peers

Wigan, Lancashire, England, UK


Most Known for...

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L.A. Without a Map 1999 (5.9)

An aspiring Hollywood actress, on a visit to a charming North England town, has a brief fling with the town undertaker, who also writes obituaries for the local paper. Returning home, where she works as a waitress at a Japanese restaurant, she tells everyone about the handsome "writer" she met on her trip. Unfortunately, he decides to follow her back to Hollywood, setting up the expected light romantic comedy with asides as the newcomer gains experience about the goings on in Hollywood.


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Funny Bones 1995 (6.5)

Tommy Fawkes wants to be a successful comedian. After his Las Vegas debut is a failure, he returns to Blackpool where his father—also a comedian—started, and where he spent the summers of his childhood.


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Rik Mayall Presents: Dancing Queen 1993 (6.5)

Dancing Queen is a 1993 British romantic comedy film starring Rik Mayall and Helena Bonham Carter. It follows the misfortune of Neil (Mayall), a bridegroom trying to get back to his bride with the help of his newfound friend Pandora/Julie (Bonham Carter) the stripper. It was the third episode of the first series of the Granada Television series Rik Mayall Presents.


Tony Peera

Tony Peera

N/A

N/A


Most Known for...

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N/A N/A (8.411)

An edge-of-your-seat view into the lives of everyday heroes committed to one of America's noblest professions. For the firefighters, rescue squad and paramedics of Chicago Firehouse 51, no occupation is more stressful or dangerous, yet so rewarding and exhilarating. These courageous men and women are among the elite who forge headfirst into danger when everyone else is running the other way and whose actions make the difference between life and death.


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N/A N/A (7.296)

A heart-in-your-throat drama, Red Line begins with the mistaken shooting of a black doctor at the hands of a white cop and unfolds from the perspective of each of the families connected to the tragedy. It's a then-and-now meets us-and-them tale about the often-personal politics of crime.


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