N/A
A short about racism and Islamophobia in the UK.
Slackers who live for free in a rock star's mansion find that their ride on the gravy train is coming to an end with the sale of their pal's residence.
Tenzman, a world-weary musician, develops an unexpected bond with two bold kids, sparking a journey of purpose and possibility.
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
What is God? God is love! Plain and simple. SANCTUARY, with book by Billy Porter and music and lyrics by Kurt Carr, invites audiences to fellowship and to learn how to spread the love, through the power of gospel music. Love is God.
