Tobias Schormann

Tobias Schormann

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Flood 2020 (6.3)

When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.
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Neverland Now 2015 (9.5)

With her reckless behavior art student Kalina (21) provokes her fellow students, her teachers and sometimes even her only friend Ruth (24). Kalina convinces Ruth take a spontaneous trip to Portugal the next day and they euphorically head out to celebrate their plan. After a half-hearted attempt to steal a car they end up on a big student party. When Ruth voices doubts about the planned trip, the night takes an unexpected turn.
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Friendship of Men 2018 (5.5)

In this docudrama Rosa von Praunheim looks into Johann Wolfgang von Goethe’s sexual orientation, especially into his erotic experiences during his travels in Italy. Contrary to the common belief, von Praunheim argues that Goethe was not a heartbreaker and conqueror after all. It was only in Italy, that he had diverse sexual experiences, not least with men. Von Praunheim bases his assumption on letters written by Goethe to his friend Friedrich Heinrich Jacobi about these sexual encounters. Some of the content of these letters is re-encated in the film. At the same time, historians and linguists analyse and classify the letters into their historical context.