A man has to come to terms with his wasted youth, estranged family and grim prospects for the future.
A woman who has been traumatized by her brother's accidental death from electrocution in the subways of Buenos Aires learns to readjust.
The failure of Budiño Ramon, who plans first murder of his father and is recognized after unable to carry it out, is due largely to the general attitude of a society that tolerates no dramatic gestures. However, the inadequacies of radical class, beliefs, feelings, profession and memory also plays a leading role in the drama.
