The film follows Groover from her studio in New York and lets us observe her as she arranges objects for her still life and shows us how she develops and works on her photographs. We also see her in her apartment at the Bowery where she lived with her husband, the painter and art critic Bruce Bois.
We enter the life of Horst, and see the world of fashion photography evolve from the 1930s to the 1980s through his work and stories.
