A photographic image in its production: exposure, development and reproduction. As the subject of its recording the faces of two people. The experimental short film "IMAGE ME" equates the face with the photographic image, exposing the merge with our depiction and a mechanics of rotation around our own axis.
Sönke drives his pregnant partner Vivian home from work, but her pains won't stop there either. While she hopes the midwife will call her back and stoically endures the situation, he becomes increasingly restless, unsure of his role during her first pregnancy. Dealing with worries, fears and feelings together reveals the construction of their relationship.
