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Thomas Renoldner

Thomas Renoldner

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Don't Know What 2018 (5.3)

A man gazes into the camera, breaths, speaks, and blinks. In playfully formal austerity, Thomas Renoldner explores the borders of the cinematic genre. Real film becomes stop-motion, language a hammering noise staccato. The film draws comical and intellectual potential from the transformation of organic movements and sounds into mechanical ones, from the dissolution of the world into abstraction and rhythm.
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The Mozart Minute 2006 (5)

Twenty-eight well-known filmmakers living and working in Austria were invited by WIENER MOZARTJAHR 2006, to produce associative miniatures on Mozart. Requirement: they had to be one-minute artistic short films. The directors come from a whole range of different backgrounds, ranging from animated, experimental and short film to documentaries and feature films. The result is a multi-facetted sampler of diverse formal and contextual positions with regard to Mozart’s person and his influence on today’s society, art and culture. The contributions run the gamut from experimental-conceptual statements through socio-critical and documentary observations to pithy short feature films.
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Sunny Afternoon 2012 (1)

„SUNNY AFTERNOON“ is the confrontation of “kind of” an avantgardefilm with “kind of” a musicvideo, and consequently puts questions about the standard taboos and clichés of different film-“genres”. Both avantgardefilm and musicvideo use music & sound “typical for their genre”.