Thierry Demaizière

Thierry Demaizière

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Most Known for...

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Rocco 2016 (5.6)

Rocco Siffredi is to pornography what Mike Tyson is to boxing or Mick Jagger is to rock’n’roll: a living legend. His mother wanted him to be a priest; with her blessing he became a hardcore performer, devoting his life to one God only: Desire. Rocco Siffredi reveals all, even if it sometimes means busting his own myth: his true story, beginnings, career, wife and children… and the ultimate revelation that will change his life forever.
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Lourdes 2019 (7)

LOURDES, a small village where the Virgin Mary appeared to a young girl about 150 years ago. Still today LOURDES is more alive than ever. And Our Lady remains active and attentive to each of her children. About 6 million people visit it every year. After the pandemic, her devotion is increasing. The multitudinous processions of people seeking a miracle feed a small army of caregivers (nurses, volunteers, hospitalists) who accompany them. These pilgrims are an amazing display of humanity: accident victims, the terminally ill, an overweight teenager being bullied at school, a group of prostitutes and trans people from Paris, etc. LOURDES is an insightful meditation on the human capacity for empathy and hope, and especially a journey into the mystery of religious faith in the face of life's profound tribulations.
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Reset 2016 (7.8)

In early 2013, it was announced that choreographer and dancer Benjamin Millepied, known as the man behind the ballet of Black Swan, would take over as director of the Paris Opera Ballet. Reset finds Millepied on the eve of his first gala with the Opera, designing and refining his inaugural choreography for the esteemed institution. As a film, Reset possesses of the same artistic assuredness as its subject as he blocks out the preliminary steps for his choreography. It explores various concepts of space simultaneously: the digital space, the space of the opera house (each scene opens with a declaration of which studio it’s in) and the space of the stage, the distance from stage right to stage left. It’s a portrait of a watershed moment for one of the ballet's oldest institutions and one of its brightest new stars, both on the cusp of great transition.