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Theo Uittenbogaard

Theo Uittenbogaard

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Most Known for...

Movie Picture

Hollywood at Last! 1979

Dedicated Dutch graphic designer Piet Schreuders visits Los Angeles to investigate all kinds of typeface as used in title-credits for movies and TV-series, letters on billboards, shop-windows or street-signs, the banner-headlines of The Los Angeles Times, and climbs finally to the giant letters of the HOLLYWOOD-sign. In the meantime he discovers, to his great satisfaction, the location and stairs where Stan Laurel and Oliver Hardy shot their movie 'The Musicbox', by combining street-signs, partially shown on still-pictures of this movie: "…MONTE" and "…ENDOME", which turn out to be found on the street corner of Del Monte and Vendome in Culver City. This documentary is bluntly intercut with commercials, a phenomenon not yet known in the Netherlands in 1979. (Theo Uittenbogaard)


Movie Picture

Gold - Lost in Siberia 1994

Eyewitnesses (i.e. former prisoners, idealists, survivors) accounts of their/or others ordeal during the 40's and 50's of the 20th century, being convicted as 'peoples enemies' by the Soviet dictator Joseph Stalin, and exiled to the gold- and uranium mines in the Kolyma, the most remote -secured by the KGB- region in the Far East of Siberia.


Theo Uittenbogaard

Theo Uittenbogaard

N/A


Most Known for...

Movie Picture

Hollywood at Last! 1979

Dedicated Dutch graphic designer Piet Schreuders visits Los Angeles to investigate all kinds of typeface as used in title-credits for movies and TV-series, letters on billboards, shop-windows or street-signs, the banner-headlines of The Los Angeles Times, and climbs finally to the giant letters of the HOLLYWOOD-sign. In the meantime he discovers, to his great satisfaction, the location and stairs where Stan Laurel and Oliver Hardy shot their movie 'The Musicbox', by combining street-signs, partially shown on still-pictures of this movie: "…MONTE" and "…ENDOME", which turn out to be found on the street corner of Del Monte and Vendome in Culver City. This documentary is bluntly intercut with commercials, a phenomenon not yet known in the Netherlands in 1979. (Theo Uittenbogaard)


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