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In a dystopia riddled with corruption and cybernetic implants, a talented but reckless street kid strives to become a mercenary outlaw — an edgerunner.
In Tokyo's downtown district of Ikebukuro, amidst many strange rumors and warnings of anonymous gangs and dangerous occupants, one urban legend stands out above the rest—the existence of a headless "Black Rider" who is said to be seen driving a jet-black motorcycle through the city streets. Mikado Ryuugamine has always longed for the excitement of the city life, and an invitation from a childhood friend convinces him to move to Tokyo. Witnessing the Black Rider on his first day in the city, his wishes already seem to have been granted. But as supernatural events begin to occur, ordinary citizens like himself, along with Ikebukuro's most colorful inhabitants, are mixed up in the commotion breaking out in their city.
Natsume Takashi has the ability to see spirits, which he has long kept secret. However, once he inherits a strange book that belonged to his deceased grandmother, Reiko, he discovers the reason why spirits surround him.
The scenes of the tea-making process, which he says he rarely films, are not only unusual as a record, but also have a rhythm that makes you feel as if you are working alongside the tea master, and you are drawn into the process. The film fully reflects the director's intention of "capturing the coolness of people working silently". The story is a simple one, but the care with which the scenes of tea picking, tea making and workrooms are filmed creates a refreshing atmosphere that is unique to this film. In particular, the theme and subject matter are fused together in a scene in which the "moment of sublimation", which occurs when the body is continuously focused on one thing and the mind is emptied, is superimposed on the scenery outside the window where the protagonist looks out.
