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An UFO that could be the Russian satellite Sputnik falls on a hillbilly's hencoop.
Movie producer Cecílio B. de Milho is intent on filming an epic about Helen of Troy, while some of the crew would rather turn it into a musical comedy.
Barber's jeep crash against crazy scientist's house, where the latter was building a time-machine. The crash triggers the machine, taking them to Gaza kingdom, circa 1153 B.C., where they get involved in many funny situations. Spoof of Cecil B. DeMille's Samson and Delilah
A tribute-cum-reformulation-in-film of Philippine National Hero Jose Rizal's poem "Mi Ultimo Adios," Khavn's "Ultimo: Different Ways of Killing a National Hero" explores identity and nationhood as viewed through the lens of a truly post-colonial individual. Ultimo is a 90-minute black-and-white silent film, with scenes from the director's meanderings in La Palma (Canary Islands, Spain) interspersed with lines from Rizal's poem, which was written a day before the hero's execution in 1896. Waiting, ambivalence, and re-membering —themes usually tackled in literature and criticism— are investigated through a series of images: the mundane elevated to the affective through a sensibility that does not shy away from pushing the boundaries of art. This version is scored by a post-kundiman duet of guitar and banduria.
