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Josh is an ordinary teen living in an ordinary suburb. One morning he finds his friend's dead body. Next, he discovers that three more friends also have killed themselves, leaving him out of their pact. As the sole survivor, Josh becomes more and more detached from the world around him. It is a modern portrait of today's teens: invincible yet fragile, clear-thinking yet confused...
A young girl who is being abused at home runs away to the seamy side of Montreal where she makes friends with a prostitute who helps her to survive the urban jungle.
The film follows Allison Forche-Marlow, a beautiful, bright, determined, and organized woman, who never gives up trying to heal her autistic son, whom she fiercely loves, no matter what it demands of everyone.
Barbara Hammer’s Audience is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm diary of audience reactions at retrospectives of Hammer’s work in San Francisco, London, Toronto, and Montreal in the early 1980s bears none of the distinctive visual flourishes and essayistic form one usually finds in her filmmaking. Today, Audience serves as an invaluable historical archive, providing quick but complex portraits of lesbian scenes in different cities and countries: the San Francisco women are bold and raucous, treating Hammer like a celebrity; the London crowd more reserved and tentative; the Canadians politely critical after initial hesitation. It also functions as a testament to the power of Hammer herself as a figure of lesbian culture, showing how fully she engages audiences to incite new forms of discourse about representation.
