Sunita Singh

Sunita Singh

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Most Known for...

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Sherlock Holmes: A Game of Shadows 2011 (7.142)

There is a new criminal mastermind at large (Professor Moriarty) and not only is he Holmes’ intellectual equal, but his capacity for evil and lack of conscience may give him an advantage over the detective.
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The Nutcracker and the Four Realms 2018 (6.088)

When Clara’s mother leaves her a mysterious gift, she embarks on a journey to four secret realms—where she discovers her greatest strength could change the world.
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EverAfter 1998 (7.434)

Danielle, a vibrant young woman is forced into servitude after the death of her father when she was a young girl. Danielle's stepmother Rodmilla is a heartless woman who forces Danielle to do the cooking and cleaning, while she tries to marry off the eldest of her two daughters to the prince. But Danielle's life takes a wonderful turn when, under the guise of a visiting royal, she meets the charming Prince Henry.
Sunita Singh

Sunita Singh

N/A

N/A

Most Known for...

Movie Picture

Miss Lovely 2014 (6.2)

A Hindi feature film set in the lower depths of Bombay's "C" grade film industry. Miss Lovely follows the devastating story of two brothers who produce sleazy horror films in the mid-1980s.
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Nirbhay 1996

The movie revolves with a story of innocent young man who is entrapped and convicted in a murder case. After release from jail he knows the truth and he takes revenge on those person behind the plot.
Sunita Singh

Sunita Singh

N/A

N/A

Most Known for...

Movie Picture

The Last Film 2025

After losing her partner during the pandemic, 68-year-old Ila faces crushing grief and isolation. On the verge of ending her life, she chooses creation instead. With a camera in hand, she begins documenting the spaces once filled with love—from the quiet corners of her home to the vibrant streets of Old Delhi. As memory and reality blur, Ila reflects on queerness, invisibility, and the paradox of being seen. Through this intimate journey, she confronts grief and reclaims identity, ultimately culminating in a final, transformative gesture: a dance before the lens—not an end, but a beginning.