Sumitra Bhave

Sumitra Bhave

1943-01-12
78 (2021-04-19)
Pune, Bombay Presidency, British India

Born in Pune, where she also received her early education, on January 12, 1943, Sumitra Bhave was half of a decades long filmmaking partnership with Sunil Sudakhar, who also trained in Pune. The duo made a number of award winning works on social issues, in the Marathi language, since they met in 1985, with the scripts written by Bhave and showing a feminist orientation.

Pune, Bombay Presidency, British India

Born in Pune, where she also received her early education, on January 12, 1943, Sumitra Bhave was half of a decades long filmmaking partnership with Sunil Sudakhar, who also trained in Pune. The duo made a number of award winning works on social issues, in the Marathi language, since they met in 1985, with the scripts written by Bhave and showing a feminist orientation.

Most Known for...

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Vaastupurush 2002 (7.5)

Dr. Bhaskar, a Magsaysay Award winner, returns to his native village after forty years accompanied by his doctor son and American daughter-in-law. While watching the ruins of his ancestral manor, Dr. Bhaskar remembers the critical year before his joining medical college. It was not his Gandhian freedom fighter father nor his feudal uncle or romantic elder brother, but his mother who motivated him to be a doctor for the service of the poor. She believed that is the only way to appease the Guardian Spirit of the house. Bhaskar is indebted to another woman, Krishnatai, his brother's lower caste lover, who was enlightened enough to support his mother's dream. Bhaskar is now back home to fulfill the wish of his mother
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Badha 2006 (6.7)

A young girl is forced to live apart from her family because of suspicions that she is a witch.
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Sisters 1995 (6.3)

The story of two sisters in a poor rural family in India as their family struggles to come to terms with compromises that they have to make in order to survive. Their father's illness forces the eldest sister to go to the big city to work as a prostitute, allowing her to send money home so the rest of the family can live in relative ease. The return of that sister to the village to attend the younger sister's wedding results in a showdown in the family, bringing to the surface the struggles and double standards of the parents in their willingness to accept money from the elder sister but at the same time wanting her to go away so as not to "spoil" their name and remind them of their guilt in forcing her into her city life and the moral compromises that they have made.