Destiney Sue Walker

Destiney Sue Walker

N/A

N/A

Most Known for...

Movie Picture

Georgia Rule 2007 (5.996)

Rebellious, uncontrollable teenager, Rachel is hauled off by her dysfunctional mother to spend the summer with her estranged grandmother, Georgia. Her journey will lead all three women to revelations of buried family secrets and an understanding that - regardless what happens - the ties that bind can never be broken.
Movie Picture

The Pornographer 1999 (4.9)

A socially inept man's amateur porn film wins him a contract with a small-time pornography distribution company, where he faces a series of moral crises and is forced to face his own porn addiction.
Sue Walker

Sue Walker

Sydney, Australia

Most Known for...

Movie Picture

Dot and the Kangaroo 1977 (7.1)

An Australian girl gets lost in the Outback, but she's befriended by a kangaroo who gives her a ride in her pouch as they search for the girl's home. Aiding the pair are musically gifted koalas, platypuses, and kookaburras in this film based on Ethel Pedley's 1899 children's book, with animated humans and animals superimposed upon a live-action background.
Movie Picture

N/A N/A (9)

Riptide is an Australian adventure television
Movie Picture

N/A N/A (6)

Rafferty's Rules was an Australian television drama series which ran from 1987 to 1990 on the Seven Network. Rafferty's Rules was one of the first programs undertaken by the Seven Network's then new in-house drama unit, going into production in May 1985 as "a 15-part courtroom drama". The program had started out as a pilot episode, recorded in early 1984 with the actor Chris Haywood in the lead role. When the pilot episode was remounted later in 1984, Chris Haywood wasn't available and the lead role was re-cast to John Wood. This second recording was eventually broadcast as the program's first episode.
Sue Walker

Sue Walker

N/A

N/A

Most Known for...

Movie Picture

N/A N/A (7.2)

On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.