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La orilla que se Abisma is conceived as a journey, a trip along a river. Like rivers, like all journeys, the film has meanders, small riverbeds, detours and moments of rest.
Sonia (45) and Jonatan (18), mother and son, share the house: a place for the mother's grief, a place for the son to escape. The husband is absent, gone, and attempts to find him lead nowhere. The son will leave at any moment. Anguish clouds the hours, shapes the mother's perception. Sonia drinks, gets drunk, tells strange dreams, and commits dangerous acts. Jonatan feels responsible. He takes care of her. If the episodes continue, if the mother becomes increasingly fragile and vulnerable, will the son be able to leave?
