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Pluk has a great red crane truck, but no home. Like every little boy, he needs a place to live. So it fits well that a tower room is available in the colorful Petteflet apartment block. Pluk can move in here and immediately makes new friends, but he also gets in a lot of trouble: With Ms. Sauberer, who always cleans, and the architect who wants to cut down the idyllic Turtelpark ...
Beth, a bookish teenager, befriends Emilia, an aspiring novelist who has just arrived in town. Emilia soon begins an affair with Beth's father that threatens to have devastating consequences.
Standing at the alter hopeless romantic Emily is seconds away from sealing the deal, but in a moment of distress she flees. Taking refuge in an old fashioned sound studio she is able to persuade herself to go back, but getting back is more complicated than expected... Emily is thrown into 50's Hollywood version of Paris without a way to get back. Her only hope for returning in time lies in the hands of the man who has no intention to lose her. In a series of Screwball-esque clashes and musical numbers Emily takes heed of her true feelings, but is she ready to act on them?
Has Burgerking got anything to do with taking our soul? Can the artistic gene itself be the devil? These are questions that pops by in this piece with a filling of curated material a short-movie with a couple Watching tv in the Hague.
