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After the death of their mother, Thomas and his sister Mariana leave their hometown for a brighter future in the city. They become patrons of a marginal bar in Tel Aviv, Bar 51, whose regulars serve as a backdrop for Thomas’s obsessive love for his sister, and her desire to break free and make a life of her own.
The film takes place in Tel Aviv, much of it in a fictitious local pub called Barbie, a satirical nickname for a famous Israeli mental health institution. The pub's name hints at the characters and the events which occur in the pub and which befall its owner (Daliah), the employees and customers. The plot unfolds with a streak of violence which takes a surprising turn.
Everyday life in Israel during the "Intifada": suicide-attacks, distresses, tensions. A director must present a new theater play but he just can't write a line. His partner, a documentary filmmaker, is preparing the portrait of a former soldier who opened a trade but went into bankruptcy. This man is ruined, his wife has left home, his son got exiled to Australia. The director, desperate, believes that hiring a private detective to follow his wife is gonna put some salt in his life. Without knowing it, the detective becomes the real director of the play which is getting written step by step.
From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.
