Treyvon has everything, well almost everything. He's got the fast car, good city job, model looks - even a good sense of humor, and yep - a body to die for. The only thing missing is that one special somebody. Ever since he embarrassed a young woman who asked him for a date, his love life has been cursed. Now, over 15 years later, he is trying to break the spell.
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James Acaster explores his love/hate relationship with standup by relinquishing control of his set and accepting a healthy dose of audience interference – AKA heckling. With his wiry observational eye and incomparable wit, Acaster shares hilarious on-the-fly meta-analysis of his own material, along with stories from his childhood that spurred him to pursue a career in comedy.
Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).
When a quiet British town is terrorized by a serial killer, the overwhelmed police turn to an ex-detective for help. However, as he struggles to solve the mystery of the horrific murders, his demons return to haunt him once more.
