Shoichi Honda

Shoichi Honda

N/A

Most Known for...

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Heart, Beating in the Dark 2005 (5.5)

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
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Black Angels 2011 (4.1)

Originally serialized in Weekly Shonen Jump between 1981 and 1985, -Black Angels- was an action manga about a group of vigilantes delivering justice to evil-doers who had escaped the law. Ochiai will play the primary role as Yukito, the leader of the group. Yajima has been cast as Reira, the captivating heroine of the story.
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Sanchû Uprising: Voices at Dawn 2015 (5)

1726, Sanchu, Okayama Prefecture: farmers negotiate with the feudal domain in order to seek exemption from rising taxes. Infighting leads to suppression by the samurai class, and the farmers band together for battle. It’s a moment of injustice, setting the stage for bravery and sacrifice. However those daring characters remain largely offscreen in Juichiro Yamasaki’s brilliant film. Instead, the cowardly protagonist Jihei (Naohisa Nakagaki) faces a crisis of the risks of rebellion and its aftermath that resonates with our contemporary moment. In this rare independent jidaigeki, Kenta Tawara’s beautiful digital B&W photography channels and refigures luminaries of classical Japanese cinema, boasting rapturous animated sequences by Tomomichi Nakamura and experimental score by Ayako Sasaki.