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Takeshi Hongo is a promising young man with a passion for motorcycle racing. However, his dreams are suddenly ruined when he gets kidnapped by Shocker, the evil secret organization planning to dominate the world. After being remodeled into a cyborg, Takeshi escapes and swears to protect the world from the inhuman monsters.
Ryota Nonomiya is a successful businessman driven by money. He learns that his biological son was switched with another child after birth. He must make a life-changing decision and choose his true son or the boy he raised as his own.
Two Japanese friends accidentally kill their boss and dump his remains in Black Fuji, a mountain/landfill hybrid. This leads to poor results when the chemicals of the landfill mix with the corpse (and many other corpses) to give rise to a zombie infestation in Tokyo.
Yuta Ono flees from the responsibilities of his family run business and attempts to get into college to get a girl. By a twist a fate, Yuta Ono then finds himself living with five beautiful young ladies. all of whom Yuta finds exciting.
Yokosuka in the early 1980s. The military town, which once prospered from the Vietnam War economy, was exhausted, lifeless, and in ruins due to the aftereffects of the Vietnam War. Fumio, who lived hand to mouth, working as a prostitute for American soldiers and selling yak. One day, Fumio is lynched by the group's thugs for a trivial mistake. Fumio, who was covered in blood and unable to move, was later rescued by a black man who happened to be passing by. The black man's name was Al. Although he is a military veteran, he did not return to the United States and continued to live in Yokosuka, aiming to become a professional jazz pianist. After receiving kindness from someone for the first time, Fumio falls in love with Al, but since Al is straight, he rejects Fumio's courtship, but out of concern for Fumio who has no place to live, they start living together as close friends...
Mizoguchi’s 30th film is the earliest surviving example of his work, and his only film of the 1920s to survive complete. Song of Home finds the director already concerning himself with the collision of traditional and modern values. The film is structured around the contrast of two country-bred boys: a coach driver who has never left his home, and a student who returns from Tokyo with city-slicker affectations and Western jazz records. Produced by the Ministry of Education, the film has a simplistic lesson-plan at its heart, but what lingers in the mind after viewing are its more ineffable qualities: The dulcet, lyric, evocation of a disappeared rural past.
