Lorraine is on a lifelong search for her former foster brother. She has a tense encounter with a stranger named Marcus, who then joins her on a road trip. As they search for the past and future, time becomes fluid and dream-logic takes over. During their journey, bits of conversation hint at an intimacy, and possibly a subconscious bond. Are they strangers at all? Will they find what they are looking for?
Psychological deteriorations caused by invisible labor and stress slowly build. What's left as her internal and external struggles to find solid ground? Moments taken from the The Avengers that hint at disruption, mental dissolution, and violence slowly disintegrate to be replaced with another - another thought/another memory/another question. An ethereal soundscape with re-edited sound clips from Honey West gives voice to the tension of navigating the unnamed character's internal and external self.
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A musical celebrating queer cinema, which used the melody of “I Am the Very Model of a Modern Major General,” by the D’Oyly Carter Opera Company, but re-wrote the lyrics to depict queer cinema with a full choir.
