The Crimes of the Black Cat 1972 ( 5.5)

In Copenhagen, a blind pianist hunts the culprit in string of murders, each linked by the presence of a yellow shawl and a black cat.

Delitti 1987 ( 3.7)

A mysterious murderer has already killed seven people using the deadly venom of a snake from Martinique which causes immediate death with the victim's face turning into a horrible mask. A young and ingenious police lieutenant is called on the case

Occhio Alla Vedova! 1976 ( 10)

Concetta Li Cause, deprived of her husband Oreste by the Mafia, is coveted by Bologna Marcello and Charles postman. Besides the two, there are other suitors because the widow is rich; but Cosa Nostra deploys its resources to prevent the woman from finding a new partner.

Center Jenny 2013 ( 6.1)

The film focuses on the life of Jenny who has, according to many of the other characters, become too “left-of-center” while pursuing her interests.

K-CoreaINC. K (section a) 2009

The video revolves around an unending "meeting" - a busy, aimless meeting that goes in circles to evade a traditional narrative arc. The meeting is essentially a party, and the entire company bumps and grinds with itself everywhere from in boardrooms to airplanes. K-Corea INC. K processes ideas of automation and containment, embodied by these hyper-controlled locations and by the seemingly looping actions that take place in them. Meetings, where discrete parts of a corporate body come together to attempt to "get on the same page," display the futility of corporate unity, and of individual purpose or voice remaining intact within a corporate culture.

Sibling Topics (Section A) 2009 ( 10)

Trecartin returns to his conception of family-as-business-enterprise, casting parent figures as managers and executives on one end of the spectrum, estranged children as freelancers on the other. The director plays four sisters named Ceader, Britt, Adobe and Deno, the boundaries of whom are indistinct. It is difficult to tell where one sister ends and the next begins. The sisters' questing—for identity, for romance, etc.—leads them on an episodic series of adventures, several of which are defined as "premises." A Trecartin premise plays out as a predetermined situation where the character initiating it has already set the tone, terms, and trajectory of the experience in their mind. The actual, lived event serves only as the shading-in of the outline.

Mille lire al mese 1939 ( 8)