Sergey Dubrov

Sergey Dubrov

40 (1985-04-01)
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Anyone But Them 2018 (3.1)

When the world is in danger, superheroes come to rescue humanity. They are stronger, faster, smarter than ordinary people and are willing to sacrifice themselves for the sake of others. But what would happen if superheroes would not be around, and the world's rescue team will be made of selfish, irresponsible twenty year old weirdos?
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He Was a Friend of Him 2015 (6.8)

After failing to commit his first murder, an aspiring serial killer decides that the most rational way to get started is to kill a friend who totally trusts you. This is how a lonely mentally unstable guy meets a naive next-door boy.
Sergey Dubrovin

Sergey Dubrovin

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Burn 1989

The protagonist of the film - Vasily Derzhakov - is a skilled worker. Accustomed to "double morality" as the norm of life, he succumbs to the persuasion of Anna's mistress to hide the stolen things, and becomes an accomplice in crime. After the pre-trial detention, Vasily is released from prison ... Thus, life itself warned him against further mistakes, to which the immoral "norms" of existence inevitably lead.
Sergey Dubrovsky

Sergey Dubrovsky

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Wagner & Me 2012 (6.7)

Actor and writer Stephen Fry explores his passion for the world's most controversial composer, Richard Wagner. As a life-long fan can Stephen, who is Jewish and lost family in the Holocaust, salvage Wagner's music from its dark associations with anti-Semitism and Hitler?
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Energetic People 1989 (10)

The heroes of Shukshin's play are indeed energetic people in the full sense of the word. Jacks of all trades, quick-witted and dishonest, grabbers and thieves, who can be called businessmen of the era of socialism, for whom there was no use for their practical acumen and intelligence. Tovstonogov and the actors breathed true life into these characters.
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Russian Avant-Garde: A Romance with the Revolution 1999 (6)

The dramatic story of three great Russian avant-garde painters from the beginning of the last century – Kazimir Malevich, Pavel Filonov and Vladimir Tatlin – and their supporter, Nikolai Punin, the first post-revolution Commissar of the Hermitage and Russian Museums. They dedicated their lives to belief in the revolution and its connection to avant-garde art, but the communist regime betrayed them. The history depicted on the painted canvases reflects the tumultuous period of the 1920s and 30s in the Soviet Union, in Leningrad and in artistic circles of the time. Only with perestroika have the avant-garde paintings, stored in museum archives, again seen the light of day.