In the last winter of WWII a group of captive German soldiers is brought to a remote Russian village, where widows, a child and a crippled are the only ones left. This is a military drama about those, who can love and forgive.
Young police lieutenant Kozrev investigates robbery from fish kolhoz. Suspect is criminal Chuma who hiding himself in the forest.
In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?
