Seiji Tani

Seiji Tani

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King Kong vs. Godzilla 1962 (6.9)

The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
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Destroy All Monsters 1968 (6.9)

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.
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King Kong vs. Godzilla 1963 (6.556)

When an underhanded pharmaceutical company goes to a remote tropical island to steal King Kong for advertising purposes, they get more than they bargained for when the gigantic ape attacks an unsuspecting village and an enormous octopus.
Seiji Taniguchi

Seiji Taniguchi

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Get My Revenge 2016

In 2002, “Fukushu Ho” (Revenge Law) has been implemented. “Fukushu Ho” allows victims or victims' family to exact revenge against criminals directly. Yasuyuki is a middle school teacher. He is opposed to “Fukushu Ho,” but he changes his mind after his wife is murdered. Yasuyuki decides to take revenge on the murderer who killed his wife. According to “Fukushu Ho,” Yasuyuki travels to an island which has been designated as the get my revenge location. At the same time, members of a radical environment protection group, who committed terroristic acts indiscriminately, are at the same island. Family members who lost loved ones in the terroristic acts arrive on the island to exact revenge. The victims' families have 18 hours to take revenge. Weapons, food and GPS are given to the families and the locations of the criminals. If the revenge acts are not carried out within 18 hours, the criminals are released.
Seiji Tanimoto

Seiji Tanimoto

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Edo Spring 1936

Kinshiro takes over the family, but he thinks he is going to replace the son of his stepmother but runs into trouble when he befriends the yakuza.
Seiji Tanikawa

Seiji Tanikawa

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home sweet movie 1997

Between go-signals and stop-signals, Saburo's expectations of love grow. Rika toys with him, wondering how far he is conscious of her. Emi, who knowingly or unknowingly says nothing. By depicting the tension in the less-than-triangular relationship in a leisurely and fluffy manner, the film succeeds in summing up the game played by the three in a classy manner. The happy ending is convincing.