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Satoshi Hasegawa

Satoshi Hasegawa

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N/A N/A (6.4)

Host Peter Barakan delves into various aspects of Japanese culture; exploring practices, history, and modern innovations in such areas as ramen, rice, sushi, geisha, bonsai, and so much more. Local experts discuss their passions at fascinating length, and American Japanophile Matt Alt experiences the food, practices, and cultures in each episode in depth. Viewers will finish each half hour episode with a new understanding of an area of Japanese life through demonstrative videos and explanations, all delivered respectfully and true to the Japanese way of life.


Satoshi Hasegawa

Satoshi Hasegawa

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N/A


Most Known for...

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The Imperial Navy 1981 (6.3)

A lavish retelling of the true story of the final voyage and ultimate destruction and sinking of the battleship Yamato, Japan's greatest flagship during the Second World War.


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Wings of Love 1975

Japanese drama film.


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The Detective Journey 1980

A comedy directed by Mitsumasa Saito about a pair of clumsy detectives who solve a case they become involved in by chance. Shosuke Ikashima and Ryuji Kabaya, who repeatedly screw things up, encounter a real robbery during a bank robbery simulation training...


Satoshi Hasegawa

Satoshi Hasegawa

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Most Known for...

Movie Picture

Pancrase: Truth 7 1996 (2)

Pancrase: Truth 7 was an event held on October 8, 1996, at the Tsuyuhashi Sport Center in Nagoya, Aichi, Japan. Results


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Pancrase: Truth 8 1996

Pancrase: Truth 8 was an event held on October 22, 1996, at Korakuen Hall in Tokyo, Japan.


Hasegawa Satoshi

Hasegawa Satoshi

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Most Known for...

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気分を変えて? 1978

Director Inudo's first film, influenced by Masato Hara's "Ballad of Sadness Colored by Strangeness," Kazuki Omori's "Flying Saucer" series, and Kiyoshi Kurosawa's "School Days. A film about the breakup of the group and another film shot on the same day. In the summer of 1978, a boy who is too absorbed in the stage and the movies gets his first menstrual period, and by making a film called "Change Your Mood," he changes his mood and gets through his period. The power of showing the film as being about something familiar and then lifting it up to a fictional structure and putting everything that the filmmaker feels about the time period in which he lives into it is overwhelming. The power of this film is overwhelming to the viewer.


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