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The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.
Sixteen-year-old Maya loves sailing, which she was taught to do by her captain father. She misses her father very much, and runs away on a sailboat in order to reach Cyprus and meet him. But in Cyprus, she misses the cargo ship where her father is supposedly working.
Rudolf Ferdinand Hoess - The Kommandant - Auschwitz's death camp notorious commander, responsible for the mass murder of millions of people, gets interviewed by the Polish Prosecutor Albert Piotrowski. Hoess has become one of the most notorious figures of the 20th century. His character symbolizes, more than any other, the highest degree of evil mankind has ever reached. The film pictures the interrogation of Hoess and his full confession to the mass murders he ordered in the name of the Nazi Regime.
